Balinese dances. There are three genres of traditional Balinese dance – sacred, semi-sacred and that meant for enjoyment by communities at large. Traditional Balinese dances are performed by male and female dancers dressed in traditional costumes consisting of brightly coloured cloth painted with gold floral and faunal motifs, with gold-leafed and jewelled accessories. The dances are inspired by nature and symbolize particular traditions, customs and religious values.
Angklung is an Indonesian musical instrument consisting of two to four bamboo tubes suspended in a bamboo frame, bound with rattan cords. The tubes are carefully whittled and cut by a master craftsperson to produce certain notes when the bamboo frame is shaken or tapped. Each Angklung produces a single note or chord, so several players must collaborate in order to play melodies.
Gwoka is found among all ethnic and religious groups of Guadeloupe Island. It combines responsorial singing in Guadeloupean Creole, rhythms played on the Ka drums and dancing. In its traditional form, Gwoka unites these three areas of expression and emphasizes individual qualities of improvisation. The participants and public form a circle in which dancers and soloists enter in turn and perform, facing the drums.
Maloya is a form of music, song and dance native to Réunion Island. Of mixed racial origins since its outset, maloya was created by Malagasy and African slaves on the sugar plantations and was eventually appropriated by the whole of the island’s population. Initially conceived as a dialogue between a soloist and a choir accompanied by percussion instruments, maloya exists today in an increasing variety of forms, both in terms of texts and instruments.